First of all, Happy Holidays to you and your family. I sincerely hope that 2010 brings you much prosperity and joy.
Speaking of joy, my wife and I have just arrived home after 4 days in San Francisco. The getaway was well deserved for both of us, but after 20+ shoots in December (plus a day job and an additional part-time job), I needed a creative re-charge. San Francisco never fails to give me that. It’s a world class city with an exceptional sense of its own identity. It combines history with future and makes it all seamless and somehow connected. I don’t know if I could live in SF (there are LOTS of people) but I certainly visit there as often as the opportunity presents itself.
OK, you beat it out of me – my wife is a foodie. We shopped for the perfect cheese, the perfect wine, the perfect entre and enjoyed it all. But in between the culinary adventures I did have time to shoot two SF landmarks that, at least to my very convoluted mind, are deeply connected.
First is the Cathedral of St. Mary on Geary street. It’s a massive and inspiring structure. The outside is defined by courageous architecture just as its inside is defined by creative use of space, light and art. Believe me, regardless of what you believe in, your eyes will lift heavenward when you see the inside or outside of this building.

But first, I have to start with another famous SF landmark. A landmark that exemplifies the complete opposite of St. Mary’s. Whereas the Cathedral is all about hope and redemption, Alcatraz is all about suffocating hope for a population deemed un-savable.

Both are very large concrete structures built for opposite purposes but that brings me to another point. Before I even left for this trip I promised myself I would not blow off frame after frame and hope to get some good shots. Nope, this time I decided to slow down and ’see’ through the lens. Each frame (more or less) was taken with ‘concrete’ intent and I am happy to report that I like what I’ve seen.
Hopefully, you’ll agree.
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